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This chapter charts the findings of a research project that examined Meyerhold’s lost architectural experiment using computer-based 3D visualisation as a research method.
Frederick Kiesler’s unrealized Endless Theatre (1916–26) project is employed as a case study for articulating ‘paradata’ in heritage visualization.
This research project examines the dramaturgical implications of three historically significant unrealized theatres through the process of computer-based 3D visualization.