The concept of gender-assemblage is proposed as a critical framework to identify, critique and negotiate the more-than-human processes of gendering. Sin’s drag draws upon their non-binary identity to speculate renewed discourses, actions and expectations for gendered practices.

Taking the UK Grime artist Stormzy’s performance at Glastonbury 2019 as a case study, this article investigates the tactics, technologies and processes revealed through the act of staging atmospheres.