Scenographics

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My research on ‘scenographics’ first emerged as part of my monograph, Beyond Scenography. This project investigated the Anglophone appropriation of the term ‘scenography’ and how this now relates to the expanded practices of theatre and performance. The book argued for a critical distinction between ‘scenography’ and ‘scenographic’: where a scenographic perspective can operate beyond the institutional and ideological contexts of theatre. Case studies include scenographic architecture, installation art, protest art, and parades. Since the book’s publication in 2019, I have sought to apply and expand the concept of scenographics to a variety of contexts such as justice, costume, sports wear, and gender.


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