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How is a feeling of world produced through staged material cultures? This question provides the through-line to my argument for this article. In an era of climate crisis, acts of representation that enact, invite or irritate conceptual models for ‘world feelings’ are increasingly urgent.
Taking the UK Grime artist Stormzy’s performance at Glastonbury 2019 as a case study, this article investigates the tactics, technologies and processes revealed through the act of staging atmospheres.
To talk about ‘trans performance’ is to talk about performances that enact and investigate trans as a political act of affirmation, self-determination, and the felt affects of cis regulation. This paper is a working statement on the stakes at play in arguing the vitality of trans voices and perspectives for our collective social thriving.
For Atmospherics: Designing feeling in an era of climate crisis
with Rachel Hann, Cultural Scenographer,
Senior Lecturer in Performance & Design at Northumbria University, UK
in conversation with Prof. Patrick Du Wors
Dr. Hann presents a proposal for ‘atmospherics’ as a process-based, non-binary approach to stage aesthetics and a model for future eco-decolonial scenographies.